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by Sam McBratney
It is a received opinion in many quarters
nowadays that deeply-rooted class differences are either a
thing of the past or fated to become obsolete in the near
future. The main political developments of the twentieth
century, democracy, communism, and even their antithesis,
fascism, have tended to undermine - the class structures
that prevailed during the eighteenth century.
At that time no European government accepted the view
that authority depends upon the consent of the adult
population or upon the control of economic power and the
machinery of repression.
The "masses" tended to be contemptuously dismissed or
ignored - unless, that is, they rose in rebellion. To be a
king then implied the exercise of real power rather than
the duties of a highly esteemed public servant; to be a
member of the aristocracy implied the ownership of land
and a position of privilege in the community; and
membership of the bourgeoisie, that class of - people who
controlled capital, factories, labour and other means of
production, marked the first steps towards social
importance.
The history of eighteenth century Lisburn affords a
fascinating glimpse of the class divisions of a time
before egalitarian ideas spread from the drawing rooms
into the streets of European capitals.
• PROSPERITY
The rise of the linen industry brought prosperity to
the manufacturers of Lisburn, and there is ample
indication that they were accustomed to follow a way of
life which would have been far beyond the means of their
employees, the weavers whose work at their looms turned
them into part-time farmers and the weavers' sons who
found it more profitable, as the century wore on, to earn
their livelihood as full-time workers in the linen or
cotton industries. The society of the Lisburn
manufacturers, by which I mean their behaviour as a group
within the town of Lisburn, was not unlike that of similar
societies throughout the kingdom of the Georges - lived at
a slower pace, perhaps, 'than their contemporaries in
London and Dublin, but with the same appetite for good
wine, pleasant company and a keen awareness of the social
graces.
"Those gay and cheerful assemblies," wrote Charles Teeling
of the years before the '98, "for which the North of
Ireland was distinguished at that time . . . the
recollection of those early scenes is still fresh in my
remembrance, and the delightful entertainment they
afforded was a true. criterion of the polished manners and
the social feeling of the inhabitants of my native
town" (Lisburn).
The 'gay and cheerful assemblies' might have been an
'at home' in a Georgian house in Castle Street, or at the
Assembly Rooms, where during the 1770s genteel company met
once a fortnight and two impressive balls were held
annually.
The profits went to support the Infirmary, so it was
with a clear conscience that the company listened or
danced, perhaps, to the latest strains of a continental
waltz. Such charitable entertainment had a splendid
setting, in "a beautiful ballroom, 51 by 24 feet wide,
well lighted by seven large windows and on the west side
of it a very neat constructed orcaster (sic), or gallery,
for the music players to sit on.
"Suspended from the ceiling are three handsome
chandeliers."
• ACTIVITIES
The activities of this Lisburn society were widely
known and far from generally approved of. The Hibernian
Magazine complained in -1778 that they "much oftener
inquired of a stranger at what public house he might be
met with in the evening than invited him to their houses."
Whether this attitude derived from a natural shyness, a
cultivated dislike of outsiders or sheer meanness, I leave
the reader to judge after this withering, attack by a
tourist who passed through Lisburn in 1812: "The people
who call themselves quality in Lisburn consist of a few
families of small estates, on which they live without
following business and look down with sovereign contempt
of such as do; except a few linen-drapers who are admitted
associates with them and both together despise such as
keep shops . . I remember the first time that I was in
Lisburn.
I had an introductory letter to one of those high and
mighty linen-drapers. who in consequence invited me to go
with him to the club, where I was introduced to some of
the principal inhabitants, spent a pleasant evening, and
supped on most excellent oysters - at my own expense!"
• OYSTERS
Thus the pained John Gough, on the want of taste of
people who spent pounds on webs of brown linen but would
not buy him a plate of oysters. The first sentence is the
most important part of the passage, for it suggests a
rivalry between the landed gentry and the rising
bourgeoisie who made their money from trade.
Without a doubt, there has always been something
compelling about the ownership of land. It is as if we
assume that an extent of acres adds dignity to the human
personality, and for a tiny share of this feeling more and
more people in our own society are prepared to mortgage
themselves to the hilt.
In the eighteenth century much more than in our own,
people owned land on the grand scale. Gracchus Babeuf
might rage in revolutionary France about "men so odious as
to have more than enough to eat when others are dying of
hunger": but he was an upstart who had never known what it
was like to own land as far as the eye could see.
Besides, the landed aristocracy of Lisburn had been in
possession of their land for all of a hundred and fifty
years, so wasn't the land theirs? They thought so, and
tried to ensure that the privileges of the estate took
priority over the social pretences of business.
But the attitude of the landed gentry could not be
maintained against the increasing wealth of the
bourgeoisie. Before the dawn of the nineteenth. century
George Whitla, a Lisburn cotton manufacturer, of all
people, emulated the example of the aristocracy by keeping
a pack of hounds, which he "hunted three or four times a
week in the season."
• CLASS DIVISIONS
There is no doubt that there were firmly drawn class
divisions in the Lisburn of this period, and it is not
surprising to see them emphasised by the distribution of
housing in the town. McCall tells us that in 1803-04,
Owenson's players turned a hayloft into a theatre where
they entertained the inhabitants of the town and a company
of soldiers stationed there after the 1798 rebellion.
But "the ancient dowagers of Castle Street - the s
Picadilly of Lisburn - and the other exclusive of that
aristocratic quarter, entertaining a pious horror of the
stage and it performers, kept aloof from them.'
I checked with Bradshaw's Lisburn Directory for 1819 to
see who, in fact, lived in Castle Street then.
Here is the list: two agents (who probably hired
Lisburn labour for Belfast or Scottish firms); an
apothecary; an attorney; a baker; a carpenter; the cutler;
four dressmakers (out of five in the town); a gardener;
two haberdashers; a hairdresser; a hosier, four out of the
seven linen merchants (Dominick Gregg, John and Joseph
Richardson ); the four town magistrates; a mason; one of
the town's two physicians; a proctor; a saddler; and a
considerable number of people with no profession or trade
but designated "Gent."
This composition of Castle I Street is of absorbing
interest. Even as late as 1819 the area tended to be the
preserve of "gentlemen" and ; professional people.
There were then living in the town 17 butchers, 24
grocers, 28 publicans, 44 shoe-makers and many more
weavers and labourers; not one of them occupied a house in
Castle Street.
I venture to suggest that if the expansion of later
decades had not altered the street as it must have been
about 1790, we should have an example of Georgian facades
that would stand comparison with any architecture of that
period in Ireland.
Lisburn has never, been gayer than in those years of
the Georgian period when she was a place of more
consequence than Belfast. With her produce second to none
in the world, her markets renowned throughout Ireland, the
machinery of her factories among the
sights of the times and her principal inhabitants
affording a way of life they found pleasing, Lisburn has
known nothing like it since, and it is with a little
regret that the historian, or at any rate that this
historian witnesses the creeping influence of the
conventions of a duller age.
In 1837, the first year of Victoria, the people of
Lisburn were given the opportunity of playing cricket near
the town, a practice which, no doubt, was considered more
conductive to proper moral living than the dancing, card
playing and cheerful assemblies' of earlier years.
The Ordnance Survey of 1837 sums up for us this
peculier change of spirit .when it records that "for many
years after the ballroom being fitted up by the Marquis of
Hertford. the quality of Lisburn held a ball there every
fortnight, but this practice has been relinquished for
some time-past and religious practices substituted on its
ruins."
Little remains to us of `Georgian Lisburn, not even
many of its buildings. But it is of the highest importance
to remember that a mere handful of Lisburn people
circulated in the society described above: the others, the
majority whose labour kept turning the wheels of trade and
flowing the laughter and wine of those halcyon days, had
no part in it, and it is to their condition that I turn
next week.
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